So the answer here is that -some- of the form is present in the mind, but always an insufficient amount or accuracy that the knowledge will not be “physical”? You seem to be implying the part of the form that involves us in the self-reference paradox is precisely the part of the form that gives objects their separate, “physical” character. Is this fair? Certainly, knowing progressively more about an object does not imply the mental copy is becoming closer and closer to having a discrete physicality.
I’m not sure this is the best way to think about it. The self-reference paradox arises because we are trying to copy ourselves into ourselves, and thus we are adding something into ourselves, making the copy incomplete. The problem is not that there is some particular “part of the form” that we cannot copy, but that it is in principle impossible to copy it perfectly. This is different from saying that there is some specific “part” that cannot be copied.
Consider what happens when we make “non-physical” copies of something without involving a mind. Consider the image of a gold coin. There are certain relationships common to the image and to a gold coin in the physical world. So you could say we have a physical gold coin, and a non-physical one.
But wait. If the image of the coin is on paper, isn’t that a physical object? Or if the image is on your computer screen, isn’t your screen a physical object? And the image is just the colors on the screen, which are apparently just as “physical” (or non-physical) as the color of the actual coin. So why we would say that “this is not a physical coin?”
Again, as in the last post, the obvious answer is that the image is not made out of gold, while the physical coin is. But why not? Is it that the image is not accurate enough? If we made it more accurate, would it be made out of gold, or become closer to being made out of gold? Obviously not. This is like noting that a mental copy does not become closer and closer to being a physical one.
In a sense it is true that the reason the image of the coin is not physical is that it is not accurate enough. But that is because it cannot be accurate enough: the fact that it is an image positively excludes the copying of certain relationships. Some aspects can be copied, but others cannot be copied at all, as long as it is an image. On the other hand, you can look at this from the opposite direction: if you did copy those aspects, the image would no longer be an image, but a physical coin.
As a similar example, consider the copying of a colored scene into black and white. We can copy some aspects of the scene by using various shades of gray, but we cannot copy every aspect of the scene. There are simply not enough differences in a black and white image to reflect every aspect of a colored scene. The black and white image, as you make it more accurate, does not become closer to being colored, but this is simply because there are aspects of the colored scene that you never copy. If you do insist on copying those aspects, you will indeed make the black and white image into a colored image, and thus it will no longer be black and white.
The situation becomes significantly more complicated when we talk about a mind. In one way, there is an important similarity. When we say that the copy in the mind is “not physical,” that simply means that it is a copy in the mind, just as when we say that the image of the coin is not physical, it means that it is an image, made out of the stuff that images are made of. But just as the image is physical anyway, in another sense, so it is perfectly possible that the mind is physical in a similar sense. However, this is where things begin to become confusing.
Elsewhere, I discussed Aristotle’s argument that the mind is immaterial. Considering the cases above, we could put his argument in this way: the human brain is a limited physical object. So as long as the brain remains a brain, there are simply not enough potential differences in it to model all possible differences in the world, just as you cannot completely model a colored scene using black and white. But anything at all can be understood. Therefore we cannot be understanding by using the brain.
I have claimed myself that anything that can be, can be understood. But this needs to be understood generically, rather than as claiming that it is possible to understand reality in every detail simultaneously. The self-reference paradox shows that it is impossible in principle for a knower that copies forms into itself to understand itself in every aspect at once. But even apart from this, it is very obvious that we as human beings cannot understand every aspect of reality at once. This does not even need to be argued: you cannot even keep everything in mind at once, let alone understand every detail of everything. This directly suggests a problem with Aristotle’s argument: if being able to know all things suggests that the mind is immaterial, the obvious fact that we cannot know all things suggests that it is not.
Nonetheless, let us see what happens if we advance the argument on Aristotle’s behalf. Admittedly, we cannot understand everything at once. But in the case of the colored scene, there are aspects that cannot be copied at all into the black and white copy. And in the case of the physical coin, there are aspects that cannot be copied at all into the image. So if we are copying things into the brain, doesn’t that mean that there should be aspects of reality that cannot be copied at all into the mind? But this is false, since it would not only mean that we can’t understand everything, but it would also mean that there would be things that we cannot think about at all, and if it is so, then it is not so, because in that case we are right now talking about things that we supposedly cannot talk about.
Copying into the mind is certainly different from copying into a black and white scene or copying into a picture, and this does get at one of the differences. But the difference here is that the method of copying in the case of the mind is flexible, while the method of copying in the case of the pictures is rigid. In other words, we have a pre-defined method of copying in the case of the pictures that, from the beginning, only allows certain aspects to be copied. In the case of the mind, we determine the method differently from case to case, depending on our particular situation and the thing being copied. The result is that there is no particular aspect of things that cannot be copied, but you cannot copy every aspect at once.
In answer to the original question, then, the reason that the “mental copy” always remains mental is that you never violate the constraints of the mind, just as a black and white copy never violates the constraints of being black and white. But if you did violate the constraints of the black and white copy by copying every aspect of the scene, the image would become colored. And similarly, if you did violate the constraints of the mind in order to copy every aspect of reality, your mind would cease to be, and it would instead become the thing itself. But there is no particular aspect of “physicality” that you fail to copy: rather, you just ensure that one way or another you do not violate the constraints of the mind that you have.
Unfortunately, the explanation here for why the mind can copy any particular aspect of reality, although not every aspect at once, is rather vague. Perhaps a clearer explanation is possible? In fact, someone could use the vagueness to argue for Aristotle’s position and against mine. Perhaps my account is vague because it is wrong, and there is actually no way for a physical object to receive copied forms in this way.