Technical Discussion and Philosophical Progress

In The Structure of Scientific Revolutions (p. 19-21), Thomas Kuhn remarks on the tendency of sciences to acquire a technical vocabulary and manner of discussion:

We shall be examining the nature of this highly directed or paradigm-based research in the next section, but must first note briefly how the emergence of a paradigm affects the structure of the group that practices the field. When, in the development of a natural science, an individual or group first produces a synthesis able to attract most of the next generation’s practitioners, the older schools gradually disappear. In part their disappearance is caused by their members’ conversion to the new paradigm. But there are always some men who cling to one or another of the older views, and they are simply read out of the profession, which thereafter ignores their work. The new paradigm implies a new and more rigid definition of the field. Those unwilling or unable to accommodate their work to it must proceed in isolation or attach themselves to some other group. Historically, they have often simply stayed in the departments of philosophy from which so many of the special sciences have been spawned. As these indications hint, it is sometimes just its reception of a paradigm that transforms a group previously interested merely in the study of nature into a profession or, at least, a discipline. In the sciences (though not in fields like medicine, technology, and law, of which the principal raison d’être is an external social need), the formation of specialized journals, the foundation of specialists’ societies, and the claim for a special place in the curriculum have usually been associated with a group’s first reception of a single paradigm. At least this was the case between the time, a century and a half ago, when the institutional pattern of scientific specialization first developed and the very recent time when the paraphernalia of specialization acquired a prestige of their own.

The more rigid definition of the scientific group has other consequences. When the individual scientist can take a paradigm for granted, he need no longer, in his major works, attempt to build his field anew, starting from first principles and justifying the use of each concept introduced. That can be left to the writer of textbooks. Given a textbook, however, the creative scientist can begin his research where it leaves off and thus concentrate exclusively upon the subtlest and most esoteric aspects of the natural phenomena that concern his group. And as he does this, his research communiqués will begin to change in ways whose evolution has been too little studied but whose modern end products are obvious to all and oppressive to many. No longer will his researches usually be embodied in books addressed, like Franklin’s Experiments . . . on Electricity or Darwin’s Origin of Species, to anyone who might be interested in the subject matter of the field. Instead they will usually appear as brief articles addressed only to professional colleagues, the men whose knowledge of a shared paradigm can be assumed and who prove to be the only ones able to read the papers addressed to them.

Today in the sciences, books are usually either texts or retrospective reflections upon one aspect or another of the scientific life. The scientist who writes one is more likely to find his professional reputation impaired than enhanced. Only in the earlier, pre-paradigm, stages of the development of the various sciences did the book ordinarily possess the same relation to professional achievement that it still retains in other creative fields. And only in those fields that still retain the book, with or without the article, as a vehicle for research communication are the lines of professionalization still so loosely drawn that the layman may hope to follow progress by reading the practitioners’ original reports. Both in mathematics and astronomy, research reports had ceased already in antiquity to be intelligible to a generally educated audience. In dynamics, research became similarly esoteric in the later Middle Ages, and it recaptured general intelligibility only briefly during the early seventeenth century when a new paradigm replaced the one that had guided medieval research. Electrical research began to require translation for the layman before the end of the eighteenth century, and most other fields of physical science ceased to be generally accessible in the nineteenth. During the same two centuries similar transitions can be isolated in the various parts of the biological sciences. In parts of the social sciences they may well be occurring today. Although it has become customary, and is surely proper, to deplore the widening gulf that separates the professional scientist from his colleagues in other fields, too little attention is paid to the essential relationship between that gulf and the mechanisms intrinsic to scientific advance.

As Kuhn says, this tendency has very well known results. Consider the papers constantly being published at arxiv.org, for example. If you are not familiar with the science in question, you will likely not be able to understand even the title, let alone the summary or the content. Many or most of the words will be meaningless to you, and even if they are not, their combinations will be.

It is also not difficult to see why this happens, and why it must happen. Everything we understand, we understand through form, which is a network of relationships. Thus if particular investigators wish to go into something in greater detail, these relationships will become more and more remote from the ordinary knowledge accessible to everyone. “Just say it in simple words” will become literally impossible, in the sense that explaining the “simple” statement will involve explaining a huge number of relationships that by default a person would have no knowledge of. That is the purpose, as Kuhn notes, of textbooks, namely to form connections between everyday knowledge and the more complex relationships studied in particular fields.

In Chapter XIII, Kuhn relates this sort of development with the word “science” and progress:

The preceding pages have carried my schematic description of scientific development as far as it can go in this essay. Nevertheless, they cannot quite provide a conclusion. If this description has at all caught the essential structure of a science’s continuing evolution, it will simultaneously have posed a special problem: Why should the enterprise sketched above move steadily ahead in ways that, say, art, political theory, or philosophy does not? Why is progress a perquisite reserved almost exclusively for the activities we call science? The most usual answers to that question have been denied in the body of this essay. We must conclude it by asking whether substitutes can be found.

Notice immediately that part of the question is entirely semantic. To a very great extent the term ‘science’ is reserved for fields that do progress in obvious ways. Nowhere does this show more clearly than in the recurrent debates about whether one or another of the contemporary social sciences is really a science. These debates have parallels in the pre-paradigm periods of fields that are today unhesitatingly labeled science. Their ostensible issue throughout is a definition of that vexing term. Men argue that psychology, for example, is a science because it possesses such and such characteristics. Others counter that those characteristics are either unnecessary or not sufficient to make a field a science. Often great energy is invested, great passion aroused, and the outsider is at a loss to know why. Can very much depend upon a definition of ‘science’? Can a definition tell a man whether he is a scientist or not? If so, why do not natural scientists or artists worry about the definition of the term? Inevitably one suspects that the issue is more fundamental. Probably questions like the following are really being asked: Why does my field fail to move ahead in the way that, say, physics does? What changes in technique or method or ideology would enable it to do so? These are not, however, questions that could respond to an agreement on definition. Furthermore, if precedent from the natural sciences serves, they will cease to be a source of concern not when a definition is found, but when the groups that now doubt their own status achieve consensus about their past and present accomplishments. It may, for example, be significant that economists argue less about whether their field is a science than do practitioners of some other fields of social science. Is that because economists know what science is? Or is it rather economics about which they agree?

The last point is telling. There is significantly more consensus among economists than among other sorts of social science, and consequently less worry about whether their field is scientific or not. The difference, then, is a difference of how much agreement is found. There is not necessarily any difference with respect to the kind of increasingly detailed thought that results in increasingly technical discussion. Kuhn remarks:

The theologian who articulates dogma or the philosopher who refines the Kantian imperatives contributes to progress, if only to that of the group that shares his premises. No creative school recognizes a category of work that is, on the one hand, a creative success, but is not, on the other, an addition to the collective achievement of the group. If we doubt, as many do, that nonscientific fields make progress, that cannot be because individual schools make none. Rather, it must be because there are always competing schools, each of which constantly questions the very foundations of the others. The man who argues that philosophy, for example, has made no progress emphasizes that there are still Aristotelians, not that Aristotelianism has failed to progress.

In this sense, if a particular school believes they possess the general truth about some matter (here theology or philosophy), they will quite naturally begin to discuss it in greater detail and in ways which are mainly intelligible to students of that school, just as happens in other technical fields. The field is only failing to progress in the sense that there are other large communities making contrasting claims, while we begin to use the term “science” and to speak of progress when one school completely dominates the field, and to a first approximation even people who know nothing about it assume that the particular school has things basically right.

What does this imply about progress in philosophy?

1. There is progress in the knowledge of topics that were once considered “philosophy,” but when we get to this point, we usually begin to use the name of a particular science, and with good reason, since technical specialization arises in the manner discussed above. Tyler Cowen discusses this sort of thing here.

2. Areas in which there doesn’t seem to be such progress, are probably most often areas where human knowledge remains at an early stage of development; it is precisely at such early stages that discussion does not have a technical character and when it can generally be understood by ordinary people without a specialized education. I pointed out that Aristotle was mistaken to assume that the sciences in general were fully developed. We would be equally mistaken to make such an assumption at the present times. As Kuhn notes, astronomy and mathematics achieved a “scientific” stage centuries before geology and biology did the same, and these long before economics and the like. The conclusion that one should draw is that metaphysics is hard, not that it is impossible or meaningless.

3. Even now, particular philosophical schools or individuals can make progress even without such consensus. This is evidently true if their overall position is correct or more correct than that of others, but it remains true even if their overall position is more wrong than that of other schools. Naturally, in the latter situation, they will not advance beyond the better position of other schools, but they will advance.

4. One who wishes to progress philosophically cannot avoid the tendency to technical specialization, even as an individual. This can be rather problematic for bloggers and people engaging in similar projects. John Nerst describes this problem:

The more I think about this issue the more unsolvable it seems to become. Loyal readers of a publication won’t be satisfied by having the same points reiterated again and again. News media get around this by focusing on, well, news. News are events, you can describe them and react to them for a while until they’re no longer news. Publications that aim to be more analytical and focus on discussing ideas, frameworks, slow processes and large-scale narratives instead of events have a more difficult task because their subject matter doesn’t change quickly enough for it to be possible to churn out new material every day without repeating yourself[2].

Unless you start building upwards. Instead of laying out stone after stone on the ground you put one on top of another, and then one on top of two others laying next to each other, and then one on top of all that, making a single three-level structure. In practice this means writing new material that builds on what came before, taking ideas further and further towards greater complexity, nuance and sophistication. This is what academia does when working correctly.

Mass media (including the more analytical outlets) do it very little and it’s obvious why: it’s too demanding[3]. If an article references six other things you need to have read to fully understand it you’re going to have a lot of difficulty attracting new readers.

Some of his conclusions:

I think that’s the real reason I don’t try to pitch more writing to various online publications. In my summary of 2018 I said it was because I thought my writing was to “too idiosyncratic, abstract and personal to fit in anywhere but my own blog”. Now I think the main reason is that I don’t so much want to take part in public debate or make myself a career. I want to explore ideas that lie at the edge of my own thinking. To do that I must assume that a reader knows broadly the same things I know and I’m just not that interested in writing about things where I can’t do that[9]. I want to follow my thoughts to for me new and unknown places — and import whatever packages I need to do it. This style isn’t compatible with the expectation that a piece will be able to stand on its own and deliver a single recognizable (and defensible) point[10].

The downside is of course obscurity. To achieve both relevance in the wider world and to build on other ideas enough to reach for the sky you need extraordinary success — so extraordinary that you’re essentially pulling the rest of the world along with you.

Obscurity is certainly one result. Another (relevant at least from the VP’s point of view) is disrespect. Scientists are generally respected despite the general incomprehensibility of their writing, on account of the absence of opposing schools. This lack leads people to assume that their arguments must be mostly right, even though they cannot understand them themselves. This can actually lead to an “Emperor has No Clothes” situation, where a scientist publishes something basically crazy, but others, even in his field, are reluctant to say so because they might appear to be the ones who are ignorant. As an example, consider Joy Christian’s “Disproof of Bell’s Theorem.” After reading this text, Scott Aaronson comments:

In response to my post criticizing his “disproof” of Bell’s Theorem, Joy Christian taunted me that “all I knew was words.”  By this, he meant that my criticisms were entirely based on circumstantial evidence, for example that (1) Joy clearly didn’t understand what the word “theorem” even meant, (2) every other sentence he uttered contained howling misconceptions, (3) his papers were written in an obscure, “crackpot” way, and (4) several people had written very clear papers pointing out mathematical errors in his work, to which Joy had responded only with bluster.  But I hadn’t actually studied Joy’s “work” at a technical level.  Well, yesterday I finally did, and I confess that I was astonished by what I found.  Before, I’d actually given Joy some tiny benefit of the doubt—possibly misled by the length and semi-respectful tone of the papers refuting his claims.  I had assumed that Joy’s errors, though ultimately trivial (how could they not be, when he’s claiming to contradict such a well-understood fact provable with a few lines of arithmetic?), would nevertheless be artfully concealed, and would require some expertise in geometric algebra to spot.  I’d also assumed that of course Joy would have some well-defined hidden-variable model that reproduced the quantum-mechanical predictions for the Bell/CHSH experiment (how could he not?), and that the “only” problem would be that, due to cleverly-hidden mistakes, his model would be subtly nonlocal.

What I actually found was a thousand times worse: closer to the stuff freshmen scrawl on an exam when they have no clue what they’re talking about but are hoping for a few pity points.  It’s so bad that I don’t understand how even Joy’s fellow crackpots haven’t laughed this off the stage.  Look, Joy has a hidden variable λ, which is either 1 or -1 uniformly at random.  He also has a measurement choice a of Alice, and a measurement choice b of Bob.  He then defines Alice and Bob’s measurement outcomes A and B via the following functions:

A(a,λ) = something complicated = (as Joy correctly observes) λ

B(b,λ) = something complicated = (as Joy correctly observes) -λ

I shit you not.  A(a,λ) = λ, and B(b,λ) = -λ.  Neither A nor B has any dependence on the choices of measurement a and b, and the complicated definitions that he gives for them turn out to be completely superfluous.  No matter what measurements are made, A and B are always perfectly anticorrelated with each other.

You might wonder: what could lead anyone—no matter how deluded—even to think such a thing could violate the Bell/CHSH inequalities?

“Give opposite answers in all cases” is in fact entirely irrelevant to Bell’s inequality. Thus the rest of Joy’s paper has no bearing whatsoever on the issue: it is essentially meaningless nonsense. Aaronson says he was possibly “misled by the length and semi-respectful tone of the papers refuting his claims.” But it is not difficult to see why people would be cautious in this way: the fear that they would turn out to be the ones missing something important.

The individual blogger in philosophy, however, is in a different position. If they wish to develop their thought it must become more technical, and there is no similar community backing that would cause others to assume that the writing basically makes sense. Thus, one’s writing is not only likely to become more and more obscure, but others will become more and more likely to assume that it is more or less meaningless word salad. This will happen even more to the degree that there is cultural opposition to one’s vocabulary, concepts, and topics.

Morality and Stories

Given the fact that stories are one of the most effective way of convincing people of things, they are also one of the ways most used for teaching morality, both to children and to adults. While Aesop’s Fables are one of the most evident examples here, this seems to be the case more generally.

Stories perform this task in a number of ways. The most basic way is by making moral claims a part of the real or supposed background in common with the real world, in the way discussed in the previous post. I pointed out earlier that we learn morality from the real world by noticing that our actions have effects that are good and bad even apart from morality. Stories can be even more effective than reality in this respect, because while “bad things will tend to happen if you engage in this kind of behavior” may well be true even in the real world, it can be made even truer in stories. Nury Vittachi describes this aspect of stories:

These theories find confirmation from a very different academic discipline—the literature department. The present writer, based at the Creativity Lab at Hong Kong Polytechnic University’s School of Design, has been looking at the manifestation of cosmic justice in fictional narratives—books, movies and games. It is clear that in almost all fictional worlds, God exists, whether the stories are written by people of a religious, atheist or indeterminate beliefs.

It’s not that a deity appears directly in tales. It is that the fundamental basis of stories appears to be the link between the moral decisions made by the protagonists and the same characters’ ultimate destiny. The payback is always appropriate to the choices made. An unnamed, unidentified mechanism ensures that this is so, and is a fundamental element of stories—perhaps the fundamental element of narratives.

In children’s stories, this can be very simple: the good guys win, the bad guys lose. In narratives for older readers, the ending is more complex, with some lose ends left dangling, and others ambiguous. Yet the ultimate appropriateness of the ending is rarely in doubt. If a tale ended with Harry Potter being tortured to death and the Dursley family dancing on his grave, the audience would be horrified, of course, but also puzzled: that’s not what happens in stories. Similarly, in a tragedy, we would be surprised if King Lear’s cruelty to Cordelia did not lead to his demise.

Indeed, it appears that stories exist to establish that there exists a mechanism or a person—cosmic destiny, karma, God, fate, Mother Nature—to make sure the right thing happens to the right person. Without this overarching moral mechanism, narratives become records of unrelated arbitrary events, and lose much of their entertainment value. In contrast, the stories which become universally popular appear to be carefully composed records of cosmic justice at work.

A second way that stories teach morality is by directly indicating to people what is approved of and disapproved of by society. This is a way not only of suggesting that bad things will result from bad behavior, but of ensuring that to some extent, it is actually true. For “being approved of” is naturally felt by a person as a good thing, and “being disapproved of” a bad thing.

A third way, perhaps not entirely distinct from the second, is by presenting some characters as worthy of imitation, and other characters as unworthy.Thus for example some people object to The Godfather on the grounds that it presents criminals in an interesting and attractive light, thereby appearing to put them forward as people to be imitated.